![]() ![]() ![]() Rent or buy on Amazon, Apple TV and other streaming platforms and pay TV operators. Savior for Sale: Da Vinci’s Lost Masterpiece? Not rated. Scott Reyburn, a London-based freelance journalist who writes for the Times and is featured onscreen, allows that Kirkpatrick’s article was “quite a scoop.” You bet! ![]() Vitkine, however, can be sloppy he names individual sections after certain power players (“The Curator,” “The Expert”) and deems two different people “The Merchant.” He then plays some dirty pool by showing a headline from The New York Times about the buyer of the painting, cropping out the byline of the correspondent David D. Gouzer’s own social media accounts provide no small assist here posts include a boastful video of him proclaiming, “We’ll do an auction that will make the market great again. He is portrayed as a brash and repellent character. One spicy new element is Loic Gouzer, the former co-chairman of postwar and contemporary art at Christie’s who put together the painting’s final auction. In addition, there are individual scenes here, and interviewees that were absent from “The Lost Leonardo,” which add spice to the narrative of how an ostensibly lost painting by a Renaissance master was restored, kicked around various markets of the mega-rich, and subsequently bought, it seems, by a Saudi royal. The year was 1939, and the world was just emerging from the Great Depression, a decade-long economic crisis that helped spur totalitarian movements across the globe. Morgan is best known for the Morgan Silver Dollar, but his true masterpiece never came to light during his lifetime. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |